The Vancouver Art Gallery opened its latest exhibition, Entangled: Two Views on Contemporary Canadian Painting, on September 30, 2017 after a successful array of exhibits including Claude Monet’s Secret Garden. The newest collections of artworks is on view until January 1, 2018, featuring artists and painting practices from across the country.

The story of contemporary painting in Canada is constantly changing, and for good reason—dynamic and influential art practices, wildly differing opinions and strongly held beliefs make for a charged atmosphere in art schools, studios and public and private galleries. Within the community of painters, strong ideas give shape to new modes of painting and new techniques that are in turn shared, debated, tested and critiqued in studios across Canada.

Entangled: Two Views on Contemporary Canadian Painting offers insight into two distinctly different approaches that have come to dominate contemporary painting in this country. The origins of both can be traced back to the 1970s, to a moment when the continued existence of painting was hotly debated.

Within that debate, two new strategies were devised, one that proposed the possibility of conceptual painting—a notion of painting that emerged from and returned to the idea—and a second painting proposition that valued actions and materiality over ideas—in short, doing and making were pitted against ideas and concepts. Entangled traces the legacy of that debate and documents the artists who have been largely responsible for the strong revival that painting now enjoys in this country.